TV Review: 'Stranger Things 4: Volume 1'
On May 27th
the long awaited fourth season of Netflix’s 80’s-infused mystery series ‘Stranger
Things’ was finally released. Or more rather, part of the season was released. Dubbed
‘Stranger Things 4 Volume 1’, this contained only seven of the nine episodes
set to come out. Whilst I can see why some people may find this choice
frustrating (no binge watching the entire series in one go) I think there are
merits to this decision. For one, it keeps the series in the public conscience
for longer, giving everyone more time to discuss the show before those last two
episodes drop. This is what I plan to do today by discussing my thoughts on
this season so far because, even though the season hasn’t finished yet, there’s
still a lot to unpack.
Taking place
around a year after season 3, this series primarily focuses on the returning
ensemble (along with some new faces), as they find themselves against a new
threat. This is Vecna, a humanoid monster responsible for a string of murders which
he commits by entering his victim’s mind. Throughout the episodes, we see
different group members find new information to uncover the origin on this
mysterious threat. Overall, I found this main storyline to be very compelling. Whilst
Vecna himself wasn’t particularly frightening (feeling like a pastiche of old
horror villains) the mystery around him is genuinely interesting. It’s fun to
try and piece all the clues together and speculate about who he is. When his
identity is finally revealed, it feels fair but shocking, as though you could
have guessed parts of the truth, but still be shocked by the full answer, the
implications for how this will affect the story going forward are very
intriguing. During all of this, there’s a real sense that the series is moving
towards a conclusion. Maybe not the conclusion since apparently a fifth
season is already being planned, but more rather a major shift in the series’
status quo. Frequently, characters mention an impending final battle, and with
Vecna set up as some sort of dark lord of ‘The Upside Down’, it seems we may be
reaching this conflict very soon. Furthermore, we’re finally getting answers to
lingering questions from whole seasons ago and seeing some characters reach the
end of their arcs. This greatly adds to my anticipation for those last two
episodes and, so far, I feel this may be one of the strongest main stories the
series has offered yet.
As hinted at
earlier, whilst most of the season is dedicated to the Vecna storyline, this is
not the entire focus of the show. Instead, the season splits its cast into four
loosely interlinked plots. The first plot sees a selection of the cast
investigating Vecna’s origin and skillset, whilst also dealing with rising
tensions in the town. Meanwhile, the series lead Eleven (Millie Bobby Brown)
has her own plotline where she must confront her repressed memories of her time
as an experiment. This story is closely connected to the plot involving Mike
(Finn Wolfhard) and Will (Noah Schnapp), who find themselves on a journey to reunite
with Eleven. The final plotline sees Joyce (Winona Ryder) attempting to free
Hopper (David Harbour) from Russian captivity, which so far feels very separate
from the other events. For the most part, I thought all these storylines were
solid when looked at on their own. The issue is that they don’t really fit
together that well. It makes sense to split the cast up a bit, there’s too many
of them for them all to stay together, and it’s something the series has done
before. But in past seasons it’s felt like everyone was working towards the
same objective despite being separated. In this season it just feels cluttered,
everyone’s working on very different things, with a good number of characters
not even knowing about the main conflict. For me, it feels as though several
elements could have been dropped. The most notable example Mike and Will’s
storyline, which mostly feels like a footnote to Eleven’s story. This seems the
most shocking considering these two characters were amongst the driving forces prior
to this, but now they barely impact the plot. However, I can admit I might be jumping
to conclusions here, there’s still a chance the last two episodes will bring
all these plotlines naturally together. However, this doesn’t change my feeling
that, for most of the season, the storyline feels oddly structured and it’s challenging
to keep track of where everyone is.
I feel like
my main reason for this dissatisfaction is because of how it affects the
characters. As mentioned earlier, previously important characters like Will and
Mike now feel strangely side-lined and aren’t given much time to grow or
develop. A bigger example of this is Jonathan (Charlie Heaton), who was my
favourite character in the first few seasons, but now mostly exists as a somewhat
comedic side character. I mostly bring this up because even if the character
dynamics are meant to be secondary to the supernatural mysteries, they remain
the high point of the show to me. From Will realising his friends have moved on
without him, to Steve (Joe Keery) becoming a father to several teenagers before
he’s even twenty, everyone manages to play off each other so brilliantly.
This isn’t
to say these character moments are gone entirely because there are still plenty.
Even if some have less screentime, the others more than make up for it. The characters are at a very different point
in their lives from where we last saw them, with the younger children now being
in high school whilst the teenagers are preparing to go to college. This leads
into some surprisingly mature character arcs, most notably with Max (Sadie
Sink), a character who’s never really been a central figure before. This time,
she’s given a solid arc dealing with grief and mental health that becomes the
focus of ‘Dear Billy’, which was, in my opinion, the best episode of the
season. There are plenty of new relationships this series too, like the
surprising friendship between Nancy and Robin two girls who are seemingly
nothing alike at first, or the way everyone interacts with Eddie (Joseph Quinn),
the theatrical newcomer to the group. These dynamics really help keep these
characters feeling alive and fresh. Overall, even if I’m a little dissatisfied
with the direction taken for some characters this season, this colourful ensemble
remains as much of a delight to watch as they continue to interact and grow.
In
conclusion, whilst this season of ‘Stranger Things’ has been messy and
unfocused in places, it has nonetheless been highly enjoyable through its ability
to combine likeable characters with a genuinely intriguing mystery. Overall, the
season demonstrates why the show is brought up so often when talking about the many
great TV shows that have come out in recent years. I largely feel like most my issues
with it will be addressed or resolved in this ‘Volume 2’, and I’ll likely write
a follow-up to this when that happens to see if the series manages to stick the
landing.
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